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SDG

191. Jesu, Jesu, du bist mein. Schemelli (No. 34), J.S. Bach, BWV 357.

SDG

1:02	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		16	0	3	6	100%
T B		19	0	5	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		16	0	3	6	100%
T B		19	0	5	6	100%

Come to the Savior, make no delay, George Frederick Root.

SDG

1:29	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		13	0	2	7	100%
T B		15	0	3	7	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		13	0	2	7	100%
T B		15	0	3	7	100%

Pseaume 1, Psalm 1, Part 1, cantus by Soprano, Sweelinck. SwWV.1.

SDG

1:25	Est. Play Time
30	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus		11	0	2	5	100%
Bassus		13	0	3	6	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus		11	0	2	5	100%
Bassus		13	0	3	6	100%
Cantus		8	0	0	2	100%
Tenor		12	0	2	7	100%

Pseaume 1, Psalm 1, Part 3, cantus by tenor, Sweelinck.

SDG

1:25	Est. Play Time
30	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus		15	0	3	6	100%
Cantus		8	0	0	2	97%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus		15	0	3	6	100%
Cantus		8	0	0	2	97%
Soprano		15	0	3	7	97%
Bassus		13	0	3	6	90%

40. Christ lag in Todesbanden. BWV 158.4

SDG

1:01	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		19	0	5	4	100%
Tenor/Bass		20	0	6	7	100%
Contrabass		13	0	4	7	51%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		19	0	5	4	100%
Tenor/Bass		20	0	6	7	100%
Contrabass		13	0	4	7	51%

17. Erwürgtes Lamm, das die verwahrten Siegel. BWV 455.

SDG

1:10	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	6	100%
Tenor/Bass		16	0	2	7	100%
Contrabass		12	0	2	6	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	6	100%
Tenor/Bass		16	0	2	7	100%
Contrabass		12	0	2	6	50%

232. Lobet den Herren, denn er ist sehr freundlich. BWV 374.

SDG

1:06	Est. Play Time
20	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	7	100%
Tenor/Bass		22	0	5	7	100%
Contrabass		15	0	3	4	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	7	100%
Tenor/Bass		22	0	5	7	100%
Contrabass		15	0	3	4	50%

161. Herzlich thut mich verlangen. BWV 161/6

SDG

1:07	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		17	0	5	5	100%
		17	0	5	5	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		17	0	5	5	100%
		17	0	5	5	100%
Soprano/Alto		15	0	4	6	100%
Tenor/Bass		20	0	5	7	100%
Contrabass		14	0	3	4	50%

184. Ich ruf' zu dir, Herr Jesu Christ. BWV 185.6.

SDG

1:04	Est. Play Time
15	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	1	8	100%
Tenor/Bass		19	0	4	6	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	1	8	100%
Tenor/Bass		19	0	4	6	100%
Violin		15	0	3	5	100%
Contrabass		15	0	3	4	50%

155. Herzlich lieb hab ich Dich, o Herr. BWV 149/7.

SDG

1:24	Est. Play Time
22	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	3	6	100%
Tenor/Bass		20	0	7	6	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	3	6	100%
Tenor/Bass		20	0	7	6	100%
Contrabass		16	0	5	5	50%
C Trumpet		7	5	0	3	10%

176. Ich dank' dir, lieber Herre. BWV 347.

SDG

1:00	Est. Play Time
15	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		19	0	4	6	100%
Contrabass		13	0	2	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		19	0	4	6	100%
Contrabass		13	0	2	3	50%

183. Ich ruf' zu dir, Herr Jesu Christ. BWV 177/5.

SDG

1:06	Est. Play Time
15	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	3	6	100%
Tenor/Bass		25	0	7	5	100%
Contrabass		18	0	5	3	48%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	3	6	100%
Tenor/Bass		25	0	7	5	100%
Contrabass		18	0	5	3	48%

220. Komm heiliger Geist, Herre Gott. BWV 59/3, BWV 175/7.

SDG

1:24	Est. Play Time
29	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	6	100%
Tenor/Bass		19	0	5	6	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	6	100%
Tenor/Bass		19	0	5	6	100%
Viola		14	0	2	5	100%
Violin		16	0	4	6	100%
Contrabass		14	0	3	5	50%

91. Es ist genug; so nimm, Herr, meinen Geist. BWV 60 #5

SDG

1:07	Est. Play Time
20	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		15	0	5	6	100%
Tenor/Bass		21	0	8	6	88%
Soprano/Alto		15	0	4	6	88%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		15	0	5	6	100%
Tenor/Bass		21	0	8	6	88%
Soprano/Alto		15	0	4	6	88%

172. Hilf, Gott, dass mir's gelinge. BWV 343.

SDG

1:24	Est. Play Time
23	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		19	0	4	6	100%
Contrabass		14	0	2	4	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		19	0	4	6	100%
Contrabass		14	0	2	4	50%

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